Dozie Kanu,

Summer Show

19 May 2024 — 11 August 2024

Fondation Beyeler, Riehen

For the first time in the Fondation Beyeler’s more than 25-year history, the entire museum and its surrounding park will be transformed into the site of an experimental presentation of contemporary art. With contributions by Michael Armitage, Anne Boyer, Federico Campagna, Ian Cheng, Chuquimamani-Condori and Joshua Chuquimia Crampton, Marlene Dumas, Frida Escobedo, Peter Fischli, Cyprien Gaillard with Victor Man, Dominique Gonzalez-Foerster, Wade Guyton, Carsten Höller with Adam Haar, Pierre Huyghe, Arthur Jafa, Koo Jeong A, Dozie Kanu, Cildo Meireles, Jota Mombaça, Fujiko Nakaya, Alice Notley, Precious Okoyomon, Philippe Parreno, Rachel Rose, Tino Sehgal, Rirkrit Tiravanija, Ramdane Touhami and Adrián Villar Rojas. The Summer Show is conceived as a “living organism” that changes and transforms throughout its duration.

Connections and interrelationships between individual works are developed in close dialogue with the artists. This exchange also extends to works from the in-house collection, which are an integral part of the project. While a number of the paintings, sculptures, films, installations, and performances were created site-specifically, others are adapted versions of existing works.

Dozie Kanu

Appropriating found objects and refashioning them to new aesthetics, Dozie Kanu creates sculptures and photography that are inherently disobedient and stubbornly slippery. They resist classification and exist instead as communicative or performative objects. Kanu’s ongoing investigation into the limits of form, functionality, materiality and usefulness are often filtered through a personal lens drawn from the artist’s lived experiences.

In the artist’s debut solo exhibition at Project Native Informant, Owe Deed, One Deep, 2020, every sculpture remixes and modifies found objects, with the visible rust as a reminder of how readily items are discarded once they are deemed no longer productive. The repurposing of objects deemed useless, the artist honours and reanimates the people whose labour gave them function. In extending the lives of these unwanted items, he perpetuates the existence of those who brought them into being. His memorialisation is a site of collective mourning of which has not yet ceased to exist, acknowledging that the pathways and legacies of the oppressive systems of the past continue to characterize the present.

Born and raised in Houston, Texas to Nigerian immigrant parents, Kanu initially intended to study film directing but shifted his focus to production design for film and theatre, receiving his BFA from the School of Visual Arts, New York, in 2016. Dozie Kanu’s first solo institutional exhibition was at the Studio Museum of Harlem in 2019.

Last year, Kanu opened his second solo exhibition at Project Native Informant, Tinted Spirit. In May 2022, the public sculpture commission On Elbows was shown as part of the Public Art Fund exhibition Black Atlantics. In September 2022, Cordyceps Gaud Adversary opened at Neuer Essener Kunstverein, Essen, Dozie Kanu's first solo European institutional exhibition.

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