Project Native Informant

Flo Brooks

Harmonycrumb

Spike Island, Bristol

Installation View

Flo Brooks
Harmonycrumb, 2023
Spike Island, Bristol

Flo Brooks

If I lapse (for Charley Wilson)

2023
Acrylic on linen, appliqué on found material and metal
200 x 165 x 1 cm
78 3/4 x 65 x 3/8 in

Flo Brooks

The Burning Ear

2023
Lino flooring, acrylic, cardboard, masking tape, cloth tape and found material
79.6 x 237 cm
31 3/8 x 93 1/4 in

Installation View

Flo Brooks
Harmonycrumbs, 2023
Spike Island, Bristol

Flo Brooks

Spider (The Vaults)

2023
Acrylic on linen, appliqué on found material and metal
201 x 190 x 1 cm
79 1/8 x 74 3/4 x 3/8 in

Flo Brooks

The Cobbler (for Ray Leonard)

2023
Acrylic on linen, appliqué on found material and metal
182 x 155 x 1 cm
71 5/8 x 61 x 3/8 in

Installation View

Flo Brooks
Harmonycrumbs, 2023
Spike Island, Bristol

Flo Brooks

Still pass we (for Michael Dillon / Lobzang Jivaka)

2023
Acrylic on linen, appliqué on found material and metal
170 x 181 x 1 cm
66 7/8 x 71 1/4 x 3/8 in

Installation View

Flo Brooks
Harmonycrumbs, 2023
Spike Island, Bristol

Flo Brooks

Dulle Griet

2023
Lino flooring, acrylic, cardboard, masking tape, cloth tape and found material
141 x 127.3 cm
55 1/2 x 50 1/8 in

Installation View

Flo Brooks
Harmonycrumbs, 2023
Spike Island, Bristol

Flo Brooks

How to find a soul a home

2023
Acrylic on linen, appliqué on found material and metal
204 x 173 x 1 cm
80 1/4 x 68 1/8 x 3/8 in

Spike Island is excited to present Harmonycrumb, a new commission by Flo Brooks exploring trans and gender-nonconforming histories through painting and assemblage.

The exhibition includes seven acrylic paintings appliqued onto found fabric, and six assemblages composed of lino flooring cutouts and handmade objects. Together, these works explore speculative entanglements between Brook’s own life and the experiences of different historical figures, including military leader Joan of Arc (1412-31), ‘female husband’ Charles Hamilton (1721-46), and physician Michael Dillon/Lobzang Jivaka (1915-62).

Embedded in the materials of domestic space, which Brooks describes as ‘the first space of dreaming, fantasising, worlding,’ each work originates from fragments of these people’s lives, gleaned from newspaper clippings, autobiographical descriptions and visits to the places they lived and worked.

In one painting, Michael Dillon/Lobzang Jivaka is depicted riding a motorbike through the countryside. He is surrounded by images and ephemera that relate to the former College Motors garage in Bristol, where he wrote a ground-breaking book about transexualism, Self: A Study in Ethics and Endocrinology, in 1946. In another, Charles Hamilton, who worked as a quack in Somerset, is shown at a market cross, assembling and selling bottles of 18th-century medicines with mysterious-sounding names, such as ‘Sovereign Elixir’ and ‘Viper Drops’. Motifs from Brooks’ own life also appear throughout, forming layered and interweaving narratives that span time and space.

Extending out from the paintings, the floor assemblages support a range of objects and ephemera that are either appropriate to, or out of step with, the period. Some of these objects are placed on and around the lino, which undulates across the floor. Others, such as a broken candlestick and one of Joan of Arc’s sabatons (plate armour shoes), emerge from cut out ‘windows’.

Collaging together different places, eras and individuals, Brooks’ works resist simplified representations of trans and gender non-conforming lives. Rather they open up a flexible space for the unfolding of multiple perspectives, shifting identities and evolving relationships. They are not historical portraits but dream-like scenarios: fragmented, mutable, incomplete.

The exhibition is part of the West of England Visual Arts Alliance programme, supported by Arts Council England.

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48 Three Colts Lane
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United Kingdom

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